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  • Table of contents
        • Preface
        • Chaper 1 - Playing Loud
        • Guitar Terminology
        • Getting Tone
        • Tubes or Solid-State?
        • Chapter 2 - The Power Stage
        • Biasing
        • Chapter 3 - The Pre-Amp
        • Pre-amp tubes
        • Gain
        • Chapter 4 - Sweet spots
        • Power tube breakup
        • Pre-amp Breakup
        • EQ spots
        • Presence and other dials
        • Dialing in sweet spots
        • Stop dialing all at noon
        • Micro-variations
        • Point of Breakup and Distortion
        • Pedal Platforms
        • Headroom
        • Overdrive blending
        • Consolidating everything
        • Chapter 5 - Clean, Distortion and Pickups
        • Single coil and humbuckers
        • Amp or pedal distortion?
        • Chapter 6 - Tubes, SS and Digital
        • Chapter 7 Computers and Digital Audio Interfaces
        • Computer Audio Standards
        • Computer Interfaces
        • PAD, DI, Reamping
        • Chapter 8 - Ovedriving and Boosting
        • Amp boosting
        • Amp with pedals
        • Pushing the amp
        • Unity Gain
        • High Gain Solos
        • Chapter 9 - Equilization (EQ)
        • Mid-range guitar EQ
        • Direct to Amp (No Pedals)
        • 3-Band EQ
        • EQ pedal types
        • Parametric EQ
        • Rack EQs
        • EQ Boosting
        • Cutting Bad Frequencies
        • Chapter 10 - FX Loops
        • Pedal order
        • Chapter 11 - Speakers and Cabs
        • Advanced Speaker Cabs
        • Frequency Response
        • Speaker Wattage
        • Cabinet Speaker Configurations
        • Impedance Importance
        • Parallel and Series Wiring
        • Chapter 12 - Microphones
        • Microphone Types
        • Polar Patterns
        • Studio Gear
        • Guitar Recording and Team Effort
        • Chapter 13 - IR, Monitors, FRFR
        • Speaker longevity and Breaking-in.
        • Chapter 14 - DAW (Digital Audio Workstation)
        • Signal Quality
        • Wet and Dry
        • Double Tracking
        • Tone for the Mix
        • Economical, practical, feasible
        • DAW systems per user type
        • Always learning
        • Amp-wise
        • End Matters
  • Contact Us
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