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Table of contents
Preface
Chaper 1 - Playing Loud
Guitar Terminology
Getting Tone
Tubes or Solid-State?
Chapter 2 - The Power Stage
Biasing
Chapter 3 - The Pre-Amp
Pre-amp tubes
Gain
Chapter 4 - Sweet spots
Power tube breakup
Pre-amp Breakup
EQ spots
Presence and other dials
Dialing in sweet spots
Stop dialing all at noon
Micro-variations
Point of Breakup and Distortion
Pedal Platforms
Headroom
Overdrive blending
Consolidating everything
Chapter 5 - Clean, Distortion and Pickups
Single coil and humbuckers
Amp or pedal distortion?
Chapter 6 - Tubes, SS and Digital
Chapter 7 Computers and Digital Audio Interfaces
Computer Audio Standards
Computer Interfaces
PAD, DI, Reamping
Chapter 8 - Ovedriving and Boosting
Amp boosting
Amp with pedals
Pushing the amp
Unity Gain
High Gain Solos
Chapter 9 - Equilization (EQ)
Mid-range guitar EQ
Direct to Amp (No Pedals)
3-Band EQ
EQ pedal types
Parametric EQ
Rack EQs
EQ Boosting
Cutting Bad Frequencies
Chapter 10 - FX Loops
Pedal order
Chapter 11 - Speakers and Cabs
Advanced Speaker Cabs
Frequency Response
Speaker Wattage
Cabinet Speaker Configurations
Impedance Importance
Parallel and Series Wiring
Chapter 12 - Microphones
Microphone Types
Polar Patterns
Studio Gear
Guitar Recording and Team Effort
Chapter 13 - IR, Monitors, FRFR
Speaker longevity and Breaking-in.
Chapter 14 - DAW (Digital Audio Workstation)
Signal Quality
Wet and Dry
Double Tracking
Tone for the Mix
Economical, practical, feasible
DAW systems per user type
Always learning
Amp-wise
End Matters
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